"Upon accidentally gaining access to a sovereign fund containing billions of dollars, an awkward social-climber has to siphon as much money as he can, using brilliant and complicated financial structures, before the authorities close in."

Network ISA Pitch finalist

"The first scene of this script, where the characters are trying to figure out if the champagne bottle contraption works, was one of the most interesting and unique opening scenes I've read in a while. It immediately sets up our characters, their social class, and what is important to them. It's also the sort of set-up that immediately would get a viewer, or in my case reader, interested. Great job on that! This work reminds me of Aaron Sorkin's work in The Social Network and Jobs, and the HBO Succession, so you're off to a great start!  Austin Harris (Lincoln Square)


"A jaded dive instructor and her optimistic student, both who have lost their loved ones in a tsunami, embark on the unthinkable: searching for the bodies of their loved ones in the vast sea. "


Written under the mentorship of Gordy Hoffman

Nicholl Fellowships in Screenwriting (Academy of Motion Picture Arts and Sciences) Top 10%

Quarterfinalist for Scriptapalooza Screenplay (Hollywood)

Quarterfinalist for CineStory Feature Fellowship (Hollywood)


"Kygan was easily one of the more intuitively original and commercial writers I've ever worked with, as he develops warm, inviting and fresh stories with authentic, striking characters that exist for audiences to connect with and love. It's a rare mix, as often raw and vulnerable portraits do not live in plots with a nice hook, but Kygan's conceits are naturally interesting and reach the audiences naturally and beautifully. He's completely professional in his response to feedback and writes quickly, incorporating the notes for maximum effect in the rewrite. I highly recommend this writer and stand by my assessment." 

Gordy Hoffman (Bluecat Screenplay)


"a very interesting story" - LA Screenwriter


"Love the idea. Action tsunami is great. Great characters." - Drew Smith (Unique Pictures)


"...a darker and more specialized feel... " Longitude Entertainment


" interesting small story about loss and survival" - Kristy Maurer (Endgame Entertainment)


"Fascinating concept that seems like it would pull at heart strings.  Strikes me very much as an awards type emotional character exploration." - David Harris 


"A very well thought out story. One that does pull at the heart strings and could be a personal story for many. The flashbacks are essential and they connect the story. The pacing seems to be good and the characters are unique in their own way as they go on this journey." - Tiffany Boyle (Ramo Law PC)


"The first decent idea I’ve seen today! There might be a beautifully understated way to pull this off" -  Charlie Reeves (HBO)


"The flashbacks are compelling... could work as an indie or prestige film." Brian Price (Original Film)


"Very touching and emotional story. The story is well written and explained through the flashbacks." Fahad Siddiqi (MadRiver Pictures)


"This project has the ability to be an awards contender with enough areas for dramatic moments for actors to run with. The idea of two people mourning the loss of their loved ones after a tsunami is immediately captivating."  Ameet Shukla (MAS Production)


"I love this idea. It’s very beautiful and a poetic tribute to the love that stays with us. This story has the potential to be very moving," Emma Wisdom (Art/Work Entertainment!)


"Definitely a very interesting story and unique point of view." Stacey Stanley (And So It Begins)


"Solidly written... these are very compelling character journeys. " Holly Brown 


“This is awesome.”  Jenna Sarkin (Management 360)


“This is a truly original and poetic story…  I did appreciate the flashback structure that adds a very dramatic dimension to the story and the imminent disaster.  The introspective nature of the exercise and the repetition of the divings in order to deal with the losses gradually erases the supposed-pointlessness of the disciplined effort… I would truly love to see it get made as it could be a true Award contender.”  J.D. Beaufils (VMI Worldwide)


“Really clever idea! I It feels like a very emotional tale!” - Daniel Vang from Good Fear Film + Management


“The pitch was clear in everything. There may be ways to work around the huge budget disaster movie usually require.” - Jeff Faehnle (Nasser Entertainment)


“It’s a touching and inspiring story”  - Agustine Calderon (RatPac Entertainment )


“a sweet emotional journey” - Good Universe


“the silence above water could be used as a great tool to impart emotion and would beautifully parallel the type of silence they experience underwater. I think this is a fantastic pitch, great story idea and could be a really beautiful movie both in emotion and visuals.” - Mackenzie Fargo  (Gersh) 


“a sweet and moving story” - Matthew Stein (MES Productions)


“ Flashbacks is a tough tool to master, but I think it works here. Concept is good.” - Matt Kniaz (Industry Entertainment)


“Great idea… the story is certainly compelling… the kick-off for the characters is great” - Topher Rhys-Lawrence (Atlas Entertainment)


“Very clear and well-written… It struck the right balance of detail and brevity, giving me a strong sense of the story while not getting bogged down in minutiae. The want/goal of the two men is strong, and connects to a deeper theme. I would have liked to know more about the relationship and bond that has formed between the two of them over this time of searching for their loved ones, and the to-and-fro that takes place between them, as their is surely more to their friendship/relationship than just meeting up to dive. I enjoyed the choice to have them never return for their 100th dive… Overall, this was very well pitched and I understand exactly the kind of movie you are looking to tell - I could easily see it being a Sundance/A24/Indie type movie” - Nick Watson (Artillery Creative)







"A week before a planned family trip, a little boy loses his mother in an accident. Being too young to understand death, he thinks the entire funeral is the preparation for the family trip!"


"There is a lot going on behind the visuals in this script and the entire story is full of symbolism and metaphors which gives it a poetic feel that I really enjoyed. The script's exploration of profound thematic issues such as life after death, life fulfilment and self belief are undoubtedly where the screenplay is strongest. Not only is it thought provoking, but the action provides an intriguing way to demonstrate these key themes, making for a strong visual experience." - Emerging Screenwriters (West Hollywood, CA)


"With its unorthodox structure this is not a script that is setting out to target mainstream audiences, but the writer knows this and effectively writes for its demographic. The writer does not try to crowd please either, which I found refreshing. Its reliance on symbolism and metaphor also means the script has the potential for a sensual method of storytelling as is present in a lot of foreign films and notably the work of Alejandro Gonzalez Inarritu." - Emerging Screenwriters (West Hollywood, CA)


"a touching story" - Bluecat Screenplay (Hollywood, CA)


"some really good conflict" - Bluecat Screenplay (Hollywood, CA)


"You've done a good job" - LA Screenwriter (Los Angeles, CA)


"The concept of this heart-wrenching family drama is interesting and original. I believe this is an emotional story with complicated revelations. I think this script has a great message and can touch a lot of people." - Tessa Lopez-Scott (Abrams Artists Agency)


"I felt you did a very good job... small, quiet, character driven film" - Kate Sharp (Hollywood, CA)


"a clear set up of the world" - Joshua Cohen (Big Beach)

"simultaneously sad, disturbing, and funny" - Sarah J Cornelius (Whitewater Films)


"a cute idea, with a lot of heart" -  Dan Scheinkman (Le Vision Pictures)



" 5 of the world’s best martial artists are recruited to save the world from a pyrokinetic villain determined to destroy the world. "

Written under the mentorship of Gordy Hoffman




​  A few hours before a Chinese New Year reunion dinner, 7 year old Bu Bu goes out with her demented Grandma. But when the Grandma unexpectedly disappears, Little Yu must rely on her wits to find Grandma and bring Grandma back in time for the dinner. 




 A woman with Alzheimer's is forced to put a ball in a jar each time she forgets. When the jar becomes full, she will have to seek treatment. 




A child is about to be given away in an arranged marriage.



A man learns he has cancer but has some unfinished business.


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© 2015 Teng Ky-Gan.